Figure 6.35 The fulcrum lever approach can be used to balance a picture.

In Figure 6.36, Christ and the Woman Taken in Adultery shows an example of the fulcrum-lever approach to balance in the compo sition by the great master of the northern Renaissance, Rembrandt van Rijn.

The black and white illustration in Figure 6.37 shows the fulcrum lever in use in Rembrandt's painting f.

Figure 6.37 The picture has two dominant elements balanced with each other. Art Resource, NY.

Figure 6.36 Rembrandt van Rijn often used informal balance in his paintings. Art Resource, NY.


V ^fe Jm Figure Drawing with Virtual Models

Diagonal pictorial elements tend to have a greater sense of tension and motion than vertical or horizontal elements. A good example of this compositional approach can be found in The Raising of the Cross by

Pieter Pauwel Rubens, as shown in Figure 6.38.

Strong diagonal elements still need to be balanced; otherwise, they will seem to be falling, Rubens

Figure 6.38 Rubens used diagonals to heighten tension and drama in his painting. Erich Lessing/Art Resource, NY.

supported the strong diagonal image of Christ on the cross by using other secondary diagonal elements, as shown in Figure 6.39.

Figure 6.39 Supporting diagonal elements are used to balance the picture. Erich Lessing/Art Resource, NY.

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