This is a line and tone drawing of the female nude, but it is a very different in concept to the last drawing. Whereas the last drawing was based in the analytical observation of light and how it falls on the form, this drawing is more of an expressive metaphor of the reality we are seeing.
1/ In stage one of the examples we are drawing with a continuous line. That line is made by not taking your graphite off the paper until that section of the drawing is finished. This line is trying to establish the idea of form by following the contours of the form just as if you were actually drawing over the body itself and leaving a trace. You can also see from the illustration that the line is a free-roving type of line and it doesn't follow any predictable track.
2/ Gestural tone is now placed over the linear drawing. This tonal application is based in observation so the model should be illuminated from a particular direction to give a definite sense of light and dark over the subject. The tone is applied in a quick gestured manner so as not to leave too much time to dwell on the consequences of the action. A gestured drawing is a drawing that is based in a response to what you are drawing rather than a calculated observation.
3/ This stage may seem odd, as what we are about to do is to use an eraser to work over the whole drawing to take it back. Use the eraser in a diagonal direction and work it over all the drawing. This has the effect of bringing an atmospheric feel to the work and it sends the drawing back into the surface of the paper.
4/ We can now begin to re-establish some of the tone and the line over the last section.. This gives the drawing a sense of atmosphere, drama, space and above all an expressive nature that holds the drawing together very cleverly as an expressive metaphor. There are examples of artists who work like this when drawing, artists like Aubach, Giacometti, and Rembrandt.
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