Our first concern in this series of drawings is to create the fundamental form of the head, neck and shoulders if the light is coming from a fixed position on one side of the figure. In our example the light is coming from a fixed position on the left side. Once the fundamental form is established, you can concentrate on modelling the form through observation of how the shadows are cast and how they fall over the form. The figure here has the appearance of being constructed out of pure light.
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