Step 2. The artist switches to a 2B pencil and holds it so that the side of the lead strikes the paper and makes broad strokes. Moving swiftly over the paper, the artist blocks in the major areas of tone with scribbly parallel strokes. The light comes from the right, and so the artist indicates areas of tone on the left side of the brow, check, jaw, and neck. He also places a tone on the left side of the nose and suggests the darkness of the eyes and lips. He models the hair as just a few big shapes, blocking in big tonal areas and paying no attention to individual strands or curls. Finally, he scribbles in a band of shadow along the underside of the collar and a triangle of tone inside the collar. In this step, the artist's purpose is simply to divide the portrait into zones of light and shadow. So far, there's no gradation of tone—no distinction between halftone, shadow, and reflected light.
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