There's nothing like good teaching when you starl a new project: it's wonderful when there's someone there who can give you direction, answer your questions, keep you on track, and, after you've mastered tried and true methods, encourage you to experiment with new techniques.
When you're able to confer with more than just one teacher, you can benefit from the fresh observations and ideas each instructor has to offer. Each one can present you with individual challenges you couldn't get with just one viewpoint. Exposed to a variety of styles and applications, you can get a broader perspective that will stimulate and inspire your own ideas!
If you want to learn how to use the pencil creatively, Pencil Drawing Techniques provides this kind of instruction. What is unique about Pencil Drawing Techniques among art instruction books, is that it includes the teaching of seven of the best contemporary artists—not just one—so you can grasp the solid instruction and suggestions of several good craftsmen who have become successful using the very techniques included in this book. These seven instructors are all renowned artists in their fields who have previously written successful books for the amateur and intermediate artist. Choice selections from these books have provided the lively text for Pencil Drawing Techniques, and together, have helped to create a kind of sampler volume of Watson-Guptill's fine drawing books.
Here's some information on the artists and the books on which Pencil Drawing Techniques is based:
Ferdinand Petrie teaches two important aspects of drawing with the pencil. After a thorough explanation on handling the pencil—loosening-up exercises, creating values and forms, using fundamental strokes—Petrie explores using the medium to create landscapes—not preliminary sketches— but drawings complete in their own right. These selections were taken from Ferdinand Petrie's very successful book, Drawing Landscapes in Pencil, but you should certainly know about his other books for which he provided the paintings to accompany Wendon Blake's text: Landscape Drawings, Starting to Draw, The Drawing Book, and Painting in Alkyd.
Rudy De Reyna, was one of America's foremost realist painters and author of the best-selling classic How to Draw What You See, excerpted here. The acclaimed artist explores the fundamentals of drawing, including perspective, basic forms, and how to draw objects using basic forms. He is also the author of several widely-read books on realism, including, Magic Realist Watercolor Painting, Magic Realist Painting Techniques, Magic Realist Landscape Painting, and Creative Painting From Photographs. He has also provided the paintings for four highly successful books on acrylic painting written by Wendon Blake: Acrylic Painting, Landscapes in Acrylic, Seascapes in Acrylic, The Acrylic Painting Book.
Douglas Graves, the noted portraitist, is featured in the section on drawing portraits. He's the author of three of Watson-Guptill's well-received books on portraiture: Drawing Portraits, ex cerpted here, Drawing a Likeness and Life Drawing in Charcoal.
Norman Adams draws incredibly charming—and revealing—animal portraits. Majestic lions, playful tigers, horses, dogs, and furry rabbits are all represented here. This section was excerpted from the book he wrote with Joe Singer, Drawing Animals.
John Blockley and Richard Bolton are two famed British artists featured in the Drawing for Watercolors section. Here you'll read their inspiring thoughts on using the pencil to capture the essence of a subject you plan to paint later. John Blockley's ideas were culled from his celebrated book Country Landscapes in Watercolor. Richard Bolton's thoughtful observations were selected from his highly successful book Weathered Textures in Watercolor.
Bet Borgeson's definitive work on using the colored pencil comprises the section on drawing with that medium. The excerpt from The Colored Pencil includes solid instruction and suggestions for achieving delightful results, such as burnishing your colored pencil work, or using the medium with a solvent.
By the time you've finished this book, you'll have studied the instructions and ideas of seven of the best contemporary artists. In addition, you'll have sampled several of Watson-Guptill's finest drawing books, and two excellent Watson-Guptill watercolor books. Your "teachers" will have started you on your way, encouraged you, and provided you with the direction you need to use the pencil creatively and with confidence.
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