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SATIH ANDf!VELVET

rttTH IHIi ENGLISH OIL COLORS.

■ ROM all the different stylos of modern paint _ig, we 'select this as the most admired, and seemingly the most ¡^sought after by ladies of taste, fashion, or wealth; for nothing will aid more in beautify ing the dress than a beautiful flower or butterfly painted upon the little satin or silk scarf which surrounds the neck, the collar or cuffs; your monogram on one corner the pocket handkerchief, or any other portion of the dress desired by the lady artist and lady of taste.

Transferring. First get the outlines of the picture you wish to paint, by use of transfer paper, or in the following manner: Lay the picture ujjon the silk to receive the painting, and with a needle-point prick through the picture, following closely the outlines, until you have passed over the whole, holding it to its place w rh one hand—with the other rub over the perforated part a black powder or fine crayon. For this purpose use a piece of velvet, rubbing it sufficiently to pass the powder through the holes. On raising the picture you have the outlines of it left on the silk, which is now ready to receive the paints. This method is merely given to aid the beginner in getting started; those more

PAINTING on silk, SATIN AND VELVET. 95

familiar with painting can commence at once upon the silk, without the aid of transferring.

Th„- Painting. Stretch your silk upon a hoard, and lay the hoard flat. After you have the outlines, proceed with fine pi:nted brush, the same as other fine painting. Do not place a brush full of paint upon the work at once, but use paint lightly at first, otherwise it may crauk and harm the picture.

In painting on velvet, with oil, place such colors as are intended to be used, on blotting paper for a couple of days, until the paper absorbs the oil. This will leave the colors in better condition for this kind of work. Use colors lightly—a great deal of stippling is needed. For raised work, or what is sometimes called Kensington painting, use sugar of lead, with the colors as a medium.

X. B. Use for this painting the English Oil Colors, and mis with gold size or opaque mixture.

After the work is completed, if it looks dull, you can t\c?f it out again by using the sicatif gently uj>on the surf awe.

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