Of Coloring Photographs


This is tho "biggest little thing" in painting that probably has ever been presented to amateur artists. For beauty of arrangement, ease and simplicity in its execution, no branch of art work of a similar nature has ever met with line success. With a fair idea of colors and their application, you may increase the beauty and enhance the value ten fold of any ordinary photograph, by following these instructions. To produce a first-class picture, you must necessar'.y have a good subject to work on. A photograph that will take a variety of colors, is best adapted for a showy picture.

Before applying the colors to a burnished or finished photograph, soften or cleanse tliu surface with the tongue until the saliva wets the picture evenly, without crawling; oxide gall is good, but saliva is the best for this purpose.

For a palette on which to mix or dilute colors, the bottom of a plate or saucer will answer. Always have a piece of blotting paper at hand to take up or remove superfluous paint from the picture, and use it after each application of color to the photograph.

It is not necessary to mix paints on a palette, washing one color over another will produce better results. A tint Is a color absorbed in tho picture, and washing or wetting will not remove itA surface color remains on top, and water will remove it. You can use colors stronger over the shadows. Use iust what liquid

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