When you did your drawing of the Vase/Faces, you drew the first profile in the left-hemisphere mode, like the European navigator, taking one part at a time and naming the parts one by one. The second profile was drawn in the right-hemisphere mode. Like the navigator from the South Sea Island of Truk, you constantly scanned to adjust the direction of the line. You probably found that naming the parts such as forehead, nose, or mouth seemed to confuse you. It was better not to think of the drawing as a face. It was easier to use the shape of the space between the two profiles as your guide. Stated differently, it was easiest not to think at all— that is, in words. In right-hemisphere-mode drawing, the mode of the artist, if you do use words to think, ask yourself only such things as:
"Where does that curve start?"
"How deep is that curve?"
"What is that angle relative to the edge of the paper?"
"How long is that line relative to the one I've just drawn?"
"Where is that point as I scan across to the other side—where is that point relative to the distance from the top (or bottom) edge of the paper?"
These are R-mode questions: spatial, relational, and comparative. Notice that no parts are named. No statements are made, no conclusions drawn, such as, "The chin must come out as far as the nose," or "Noses are curved."
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