Figures In A Setting

Represent the way the light defines the form of this figure with dark transparent washes for shadows and white gouache for the highlights. White gouache is essential for describing strong light and pale colours if you are working on toned paper. Redefine details such as the hat with a pencil. These subtle lines will give a better sense of form and shape and help to push the figure further into the foreground.

James Honon

The strong sense of perspective gives the impression of a large area of space between the figure and the fountain.

Opaque highlights are used to give a feeling of hot, bright light, while dark, transparent hues describe the short shadows of early afternoon.

Our attention £ocuses primarily on the giri an<1 then on ' different features beyond.

The shape of the girl's hat provides an interesting feature against the fountain in the background.

54 Use a dip pen and black ink to draw in the final details, redefining any pencil marks that may have been covered by the washes of colour.

Materials

James Honon

Use a charcoal pencil to delicately shade small features such as the stonework on the fountain. This refined form of charcoal retains the dark, heavy quality of the medium, while the pencil format allows you a greater degree of control and precision.

Size 4 sable brush

The strong sense of perspective gives the impression of a large area of space between the figure and the fountain.

Opaque highlights are used to give a feeling of hot, bright light, while dark, transparent hues describe the short shadows of early afternoon.

Our attention £ocuses primarily on the giri an<1 then on ' different features beyond.

Town Square

This figure and the setting behind her both complement and balance one another; the figure blends into the scene while still looking prominent enough as a focal point. The scale of the background also relates proportionally to the figure and the light cast across the whole scene links individual features in a series of strong tonal contrasts.

The shape of the girl's hat provides an interesting feature against the fountain in the background.

Qallery of Figures

Figures have always been a fascinating subject matter for artists; after all, almost everyone is aware of, perhaps even intrigued by the people around them and how they move and act. To draw figures successfully and understand your subject, you must capture not just the right proportions and shape of a human body, but the character of an individual. Details that may only be subconsciously observed on an everyday level, such as the colour of someone's eyes or the way they dress, can be deliberately exaggerated in a drawing to transform the personality of a figure and emphasize their character. What all of these artists have achieved in their work is a convincing portrayal of human life that encapsulates each individual succinctly.

Human Body Positions Drawing

Sue Sareen, Beth,

58x41 cm (23 x 16 in) This portrait brings out the character of the sitter most sensitively. While not making a particularly detailed study, the artist has conveyed the personality of this figure effectively with small details such as her posture and the position of her feet. The addition of colour reinforces the loosely drawn image and accentuates the slumped position of this woman in her chair.

Rubens, Study of a Crucified Man, C.16 1 4-15 , 53 x 37 cm (21x14% in) This work in brown chalk is typical of the many studies Rubens would have made in preparation for a painting. Rubens used the drawing to familiarize himself with every aspect of this man's torso, bringing out the complexities of human form with remarkable subtlety. He describes the contours of the body and the muscles on the chest with precise yet evocative lines. His use of brown chalk is actually quite sparing and understated, though the tone of the paper and white chalk highlights generate a strong feeling of solidity.

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