Y

The reason is s-mpla: this is because it follows the sarrc rule as wtien vertically written Japanese text is. read.

The general rule for the flow of the frames in Japanese manga Is right to

Following this basic knowledge of flow, strange shaped frames can be created. The most important thing io consider is whether or not the frames a-e easy to read.

Frames Manga

The number of frames per page should be six or seven at most.

For Japanese manga, the flow is right to left.

Following this basic knowledge of flow, strange shaped frames can be created. The most important thing io consider is whether or not the frames a-e easy to read.

For Japanese manga, the flow is right to left.

Aligning the pictures with this flow makes the frames easy to see, The flow is right to left and top to bottom.

The number of frames per page should be six or seven at most.

eye-level composition high angle

Scene For Picture Composition

fuli scene shot (master shot)

long shot (distant view)

Manga Lessons Low Angle

low angle composition

close shot (bust-up shot)

As a basic rule, full shot (entire body view) when using these compositions, organize the frames to convey to the reader in an easy-to-understand manner the following: who, what, when, where.

close shot (bust-up shot)

Then, consider the organization of the frames using a variety of compositions.

low angle composition eye-level composition high angle fuli scene shot (master shot)

long shot (distant view)

The drawing on the right is an easy-to-understand composition.

As fundamental composition example, tooay. cm sctrw u? carnage has ended.

Thunks 1er your hard \vcrk. Got 30Î this to '.ho prntc.

i'he dialogue is used well and ihe situation ¿s visually directed in an understandable manner.

By using a full-shot with the characters, the entire situation can be understood in one viewing. Then, compose the frame so not to be monotonous using up-shots for any characters, emotions, objects or areas you want to emphasize.

tooay. cm sctrw u? carnage has ended.

Thunks 1er your hard \vcrk. Got 30Î this to '.ho prntc.

i'he dialogue is used well and ihe situation ¿s visually directed in an understandable manner.

Move to an up-shot in the third frame and inform the reader of r the character you want to show.

show the place in the first frame.

Shriek!

Move to an up-shot in the third frame and inform the reader of r the character you want to show.

In the second frame, show the time and place with a full scene shot. Since the Students are carrying on in the hallway, we understand that they are between classes.

show the place in the first frame.

As a word of caution, be careful not to draw all the frames from the same fixed angle as it makes for a monotonous composition.

In the fourth frame, move back to a full scene shot showing the overall condition.

Shriek!

Manga Body Saying Goodmorning

hand.

Showing the students at the school saying "good morning' back and forth conveys the situation well. Consider little directional poims like this too.

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