Chapter Three Forceful Shape

John Ruggieri ond later Jack Potter, both of whom were instructors at the School of Visual Arts, helped me recognize shapes in life. This made me curious about their expressiveness and efficiency. It is exciting to see the world in shapes. Everything has shape.

Let's make believe that we are looking through filters when drawing. In Chapter One, the filter we peered through was force and its different aspects. Chapter Two's filter was form and some pictorial tricks that gave us space. This chapter's filter is shape. Shape exists because of the first two filters.

Shape gives us immediate width. Shapes can wrap around form to describe a particular mass. In animation, shapes change from drawing to drawing, which also helps present form.

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