Crossing Lines Of Rhythm

Ideal Proportion

WATER REPEAT I NO THE. MOVEMENT. RHYTHM CAN LIFT TOUR ABILITY TO THE. SfclES.

potted unes ar£ tocallvdur attention to the wav contours mfi-y öe'woven "toceth er.

across the. form. no two poses work akl^e

* a but when the contours have the feeling of being connected and a. pafi-t of each other then a'symphony'of line ts established.

rhythm |m draw|nc,a5 in mu5ic; on ires the whole, SO that the pteung and movement of all becomes more important than any single part. keep feeling for the cor.re.ct and £xpfl£ss|ve line. ifit poe5nt co pown the first time, brinc? another line down, sometimes a numoer of lines ar,e_ more expressive than one, like ripples on

WATER REPEAT I NO THE. MOVEMENT. RHYTHM CAN LIFT TOUR ABILITY TO THE. SfclES.

"SWEEP"

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