Analyzing the Countermold

The important thing isn't drawing an arm or the position of the legs, but rather taking up the form of these body parts by relating them abstractly to the space that surrounds them, looking for the negative forms, or countermold, of the figure. Therefore, in order to understand the forms of the model we must know how to identify the figure's countermold.

We suggest a very simple exercise that consists of representing the human figure in the chosen pose by drawing the different chiaroscuro values of the shapes that surround the model, without using lines to give them their counters—simply using hatching based on tracings that reduce the contours of the body. We realize it isn't easy to separate the figure from space, but with a bit of concentration and practice it can be done.

Drawing Empty Spaces

A good way to analyze the pose is to forget about the internal forms of the model and concentrate on its profile, drawing from the hatching of the empty spaces that envelop the figure.

Images Analyze

A good way to analyze the pose is to forget about the internal forms of the model and concentrate on its profile, drawing from the hatching of the empty spaces that envelop the figure.

The application of a countermold in the hatching stage is a common effect for artists, the objective of which is to underscore contours and profiles by using tonal contrast.

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  • camelia
    How to draw human profiles?
    8 years ago

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