CfrrigAt itb EsJsrJMuyhr Ufc SERIES

WOMAN. REMOVING MANTLE.

photographed synchronously from three points of vlew.

Model 13. Time-intervals: '¿74 second.

For a phase of this series, from the original work, see |*age 231.

How Draw Water With Pencil Jars

C+frrifkt, 18$;, bf /C*/u*<»rJ Mt^Mdgt. J > S tr | ks 48.

WOMAN. TAKING WATER-JAR FROM ANOTHER WOMAN.

C+frrifkt, 18$;, bf /C*/u*<»rJ Mt^Mdgt. J > S tr | ks 48.

WOMAN. TAKING WATER-JAR FROM ANOTHER WOMAN.

PiCOTOGKArilKD SYNCHRONOUSLY FROM TllRKE POINTS OF V|F.\V.

Model* 9 and 10. Time-intervals : '260 second.

Female Pencil Drawings Motion

> Series 49

FEEDING A DOG

Photographed synchronously prom Three Points op View.

Model S.

Time-intervals: '222 second.

Figure Motion

WOMAN. POURING A BASIN OF WATER OVER HER HEAD.

Photographed synchronously from Three Points ok View. Model S. Time-intervals : '244 second.

For some of these phases, from the original work, see page 241.

WOMAN. A SHOCK TO THE NERVOUS SYSTEM.

photographed synchronously from tllrke points of vlew. Models I and S. Time-intervals: "437 second.

For a phase of thi% series, from the original work, see page 241.

Drawing Figures Motion

Slkils 52

Photographed synchronously from Turki: Points of View,

Skipping Rope Depositphotos Com

C*hrri£kt% if-7. b MmtrnrJ Uuyf-riJg*.} V;,,.'» y SERIes 53.

WOMAN. USING SKIPPING-ROPE.

C*hrri£kt% if-7. b MmtrnrJ Uuyf-riJg*.} V;,,.'» y SERIes 53.

WOMAN. USING SKIPPING-ROPE.

Photographed synchronously erom Three Points ok View.

Model 12. Time-intervals: '104 second.

Jumping Series Motion

Cfi/rri/cAf. «»7. h EméhrtmrJ MmjhnJg*.] > SERIES 54.

WOMAN. JUMPING ON "STEP-STONE S."

l'If OTOG R A P H EI > SYNCHRONOUSLY I ROM TllREE I'OINTS OF V|R\V. Model 12. Time-intervals: '119 second.

Woman Ricochetting One Foot

WOMAN. RICOCHETTING ON ONE FOOT.

PlIOTOGKANlEI» SYNCHRONOUSLY FROM TllRF.K POINTS OF V|R\V. Model 12. Time-intervals: *I4« second.

For «)mc of these phases, from the original work, see page 245.

Woman Ricochetting One Foot
Cifrifkt, t&ui* Rmd+s+rjMmyhridfi.} gw Si rli s 56,

WOMAN. SITTING DOWN ON THE GROUND.

Photographed synchronously erom Three Points oe View.

Model 12. Time-intervals 2 232 second.

For some of these phases, from the original work, see page 249.

Figures Motion Art Lesson

WOMAN. RISING FROM SITTING ON THE GROUND.

PltOTOCRAFllED SYNCHRONOUSLY FROM TltREE POINTS OF VlEW. Model 12. Time-interval* : '381 second.

Reaching Down Figure Motion Drawings
Ce/yrifJt,/. !«:. by E+JwrdMmytrifol i, ,,„ ^ v: 53

WOMAN. TURNING AROUND AND ASCENDING STAIRWAY.

I'HOTOCRAIH K.I> SYNCHRONOUSLY \ ROM THREE POINTS OK VlEW.

Model 12. Time-intervals : '4.56 second.

For some of these phases from the origin.il work, ¡»ago 247.

Girl Walk Animation Phase

WOMAN. WALKING, AND FLIRTING A FAN.

WOMAN. WALKING, AND FLIRTING A FAN.

Photographed synchronously krom Three Points ok View.

For some of these phases, from the original work, >ec page 259.

Running Figures Motion

WOMAN. RUNNING.

rilotograpiikd symjikokocsly from two points or vlf.w Model 7. Time-interval*: mi<x> second.

Running Motion

WOMAN. THROWING A SHAWL AROUND HER SHOULDERS.

PHOTOGRAPHED SYNCHRONOUSLY > ROM Til REE POINTS OF VlBW.

Model S. Time-intervals : '271 second.

Figure And Dance Iin Motion

C+hright, b AWr<vW .1 fmyhridgt * ,;...,» > SER tES 62.

DANCING-GIRL. A PIROUETTE.

Photographed synchronously with Seriates 63 and 64. Model 12. Time-interval* : '277 second.

Pirouette Motion Study

C*fjri(kt% »; rby //«¿ww M«ybriJgt.j ^ ^ S> kiks 63

DANCING-GIRL. A PIROUETTE.

Photographed synchronously with Seriates 62 and 64. Model 12. Time-intervals : '277 second.

Figure And Dance Iin Motion

Copyright, i St;, by AAfNWfn/

> Series 64

Copyright, i St;, by AAfNWfn/

Model 12.

DANCING-GIRL. A PIROUETTE.

PHOTOGRAPHED SYNCHRONOUSLY WITH SERIATE* 62 AND 63. Time-intervals: '27; second. For some of these phases, from the original work, sec page* 253 and 25$.

Dancers Figure Motion

C+frright, ««7. b Mm/firUjCf.) > M. RI > $ 65-

WOMAN. RAISING HANDS AND TURNING AROUND.

Photographed synchronously from Three Points ok View.

For a phase of this series, from the original work, see page 257.

Pirouette Motion Drawing

CtfrrigAt, i$>7. h E+d*X*r4 Mwyl-riJgt.} < rfTn SpRIKS 6 6.

WOMAN. ASCENDING A STAIRWAY.

1 'HOTOG HA PI IBD SYNCHRONOUSLY PROM TllRKK POINTS OP VlKW.

Model 8. Time-intervals : *i6l second.

For a pha«c of this series, from the original work, *ec page 259.

Figure Motion

Ctfiyrigklt 1$$;. b ¿Wkv.cn/ Mmyhridg*^ ¡^ y SERIKS 67.

WOMAN. DESCENDING A STAIRWAY, AND TURNING AROUND.

Photographed synchronously from Three Points of View.

Model 8. Timc-intcivals : 'iSi second.

Turning Around Motion Figure

WOMAN. SITTING DOWN AND FLIRTING A FAN,

Photographed synchronously from Three Points ok View.

Model 12 Time interval*: -241 second.

For some of thcic phase*, iron the 0rigia.1l work, see ¡»age 257.

1

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rn&m

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ta

l^gf

fWl

i Ml

l^nHfi

f '• I—.jf**>. ¿k.' i

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WOMAN. TURNING AROUND ON THE GROUND.

I'llOTOCRAPIIKI* SYNCHRONOUSLY FROM TllRKR POINTS OF VlKW. Model 7. Time-intervals: irregular.

Figuren Bewegung

Ccftrixkt, i$$7, by E*Jxv<ArJMuybrUgi.] j^j, ^ SERIES 70.

WOMAN. MAKING A HIGH-STEP, AND JUMPING.

Ccftrixkt, i$$7, by E*Jxv<ArJMuybrUgi.] j^j, ^ SERIES 70.

WOMAN. MAKING A HIGH-STEP, AND JUMPING.

Photographed synchronously from Three Points op View.

Model 12. Time-intervals: '290 sccond.

For some of these phaso, from the original work, sec page 249.

Ctfjrifkt, l $¿7, by EmJm«*ri

WOMAN. ASCENDING AND DESCENDING FROM A TABLE.

Photographed synchronously from Three Points of View.

Time-intervals: irregular. For a phase of this series, from the original work, ^ee page 259.

Woman Carrying Basket Head

WOMAN

WITH A BASKET ON HER HEAD, TURNING

Photographed synchronously from Tiirep. Points of View. %

Time-intervals: '219 second. For some of these phases, from the original work, sec page 261.

Model 7

Cefrrig'»f, 1SS7. by MW MMybriJtf.} igji ^ SERIES 73.

WOMAN. EMPTYING A BASIN OF WATER.

I * IIOTOC R APIf P. f> SYNCHRONOUSLY PROM TllKEK POINTS OP VlEW. Model 7. Time-intervals s '469 second.

right, by Mnytrii^ *

Serifs 74

WOMAN. LIFTING A BUSHEL BASKET.

Photographrd synchronously from Thrke Points of View, Mod«.I 7. Timc-intcrv.il.« : '2CO second.

For a phase of this series, from the original work, see page 257.

Cffiyright. i&3?, (•/ EMJtvtArJ \lmybriJgi.')

WOMAN. STOOPING TO PICK UP A HANDKERCHIEF.

Photographed synchronously from Two Points of View. Mold 5. Time-intervals : 345 second.

For some of these phases, from the original work, see page 263.

Drawing Figures Motion

WOMAN. ADJUSTING TRAIN AND TURNING AROUND.

rilOTOGRArilll» SYNCHRONOUSLY FROM Two POINTS OF VlEW.

Figure Motion

Copyright, rS*7, by Eudm+rA MvybriJge]

WOMAN. DESCENDING

Mold 15.

IN MOTION

Best Pictures

A STAIRWAY.

Woman Lawn Work

WOMAN. PLAYING AT LAWN-TENNIS.

Photographed synchronously prom Three Points op View.

Model 15. Time-intervals : -152 second.

For some phases of a similar action, from the original work, see page 261.

C+fyrfght, i by AW^cvd rj Mm ybri/gy. ]

CHILD. GREETING A STRANGER.

Models 12 and 70. Time-intervals: 291 second.

Motion Carrying Child

WOMAN. LIFTING AND CARRYING CHILD.

Photographed synchronously from Three Points oe View.

Model* 12 and 70. Time-intervals: '311 second.

For some of these phases, from the original work, see page 265.

C*frrt<kt, S*t***rJ M*y*rUgt%\ ijnjfr > ^SERIES. 81.

WOMAN. PLACING CHILD ON THE GROUND.

C*frrt<kt, S*t***rJ M*y*rUgt%\ ijnjfr > ^SERIES. 81.

WOMAN. PLACING CHILD ON THE GROUND.

PHOTOGRAPHED SYNCHRONOUSLY FROM THREE POINTS OF VlEW. Models 12 and 70. Time-intervals: '290 second.

Child Running

Cftyr/fJkf, i8$7, t-y EndttHAni MmybrfJgt.)

WOMAN AND CHILD. RUNNING.

Photograph bo synchronously prom Turks Points op View. Models 12 and 70. Time-intervals : '093 second.

Running Figures Motion
Cofrrigkt. iSi7. fy AW.vvor./ MmybriJgt^

CHILD. CRAWLING ON THE GROUND.

Photographed synchronously from Three Points oe View

Model 70.

Time-intervals: '169 second.

Figure Drawing Running Motion

crftritkt, 1ss7. b mmyhri4&?.

Model 72.

CHILD. WALKING.

Photographed synchronously prom Two Points op View.

Time-intervals: '067 second.

Child Walking

Copyright, WvjfirAfr.) > SERIES 85.

CHILD. RUNNING.

Motion Movement Child Crawling

CHILD. CRAWLING UPSTAIRS.

PliOTOORAFHKO SYNCHRONOUSLY from Two POINTS OF VIEW. Model rimt'iiitcrvali: '206 second

For some of these phases, from the original work, see page 271.

The Human Figure Motion

CHILD. ATTEMPTING TO WALK UPSTAIRS.

Photographed synchronously prom Two Points op View.

Model 70. Time-intervals : *i6i second.

For some of thoc phases, from the original work, sec page 271.

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Responses

  • maria
    How to carry and lift a normal child?
    7 years ago
  • Bandobras
    How to animate walking woman?
    7 years ago

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