Tools And Techniques

You can draw a portrait using any of the popular media: pencil, charcoal, pastel, pen and ink, watercolour, felt-pen, etc. Each one of them, however, will produce different effects, not only due to the specific characteristics of the medium and the technique used, but also in relation to the characteristics of the surface on which it is drawn: smooth or rough-textured paper, card, white or coloured paper, etc. The drawings shown on these two pages demonstrate how different media effectively render the complex tonal values of the human face and body.

Pen and black Indian ink on smooth paper

Ink is widely used by artists. It can be applied either with a brush or with a pen, but special effects can be achieved using bamboo reeds, large nibs, fountain pens, technical pens, felt-pens, or ball-point pens. Tones can usually be graded by drawing more or less dense lines over one another at right angles (cross-hatching). It is advisable to draw on smooth, good quality paper or card, so that the surface won't fray or absorb ink irregularly.

How Ink Face Using Cross Hatching

Pencil (B and 2B) on rough-textured paper

Pencil is the most widely used medium for any type of drawing and, in figures and portraits, it allows you to be spontaneous and is convenient to use. It can be used for very complex drawings or for small studies and quick reference sketches: for the latter very fine leads are suitable, while for the former you can use thicker and softer-grade graphites. Graphites (leads that are held in mechanical, clutch pencils) as well as pencils (wood-encased graphites) are graded according to their consistency: from 9H, the hardest, which traces thin and faint lines, to 6B, very soft, which traces thick and dark lines with ease.

Tonal Portrait Renderings

Compressed charcoal on paper

Charcoal is perhaps the ideal medium for portrait study as it is very easy to control when applying tones but also allows you to achieve fairly sharp detail. It should, however, be used 'broadly', concentrating on the overall rendering of the 'shapes': this exploits its greatest assets, as it is both versatile and evocative. You can use either compressed charcoal or willow charcoal but be careful, in either case, not to smudge the sheet. Charcoal strokes can be blended and smudged by gently rubbing with a finger, and tones can be softened by blotting with a soft eraser (kneadable putty eraser). The finished drawing should be protected by spraying with fixative.

Charcoal Rubbing Techniques

Monochromatic watercolour on medium-textured paper

Watercolours, water-soluble inks, and water-diluted Indian ink are ideal for portrait study, although they are closer to painting than to drawing, as they are applied with a brush and require a tonal vision which is both concise and expressive. For quick studies you can use water-soluble graphites or colour pencils (to blend strokes easily, wipe them with a water-soaked brush) and it is advisable to use heavy card so that the moisture will not cause the surface to cockle and become irregular.

Pen and ink, watercolour, white pastel on coloured paper

'Mixed' media involves using different materials to achieve a drawing with unusual effects. Although still 'graphic' materials, their more complex application requires good control and a good knowledge of the media themselves if we are to avoid muddled results of little aesthetic meaning. Mixed media are very effective on texturea and coloured, or dark, supports.

Face Drawing Cross Hatching

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Responses

  • May
    How to ink a face using cross hatching?
    8 years ago
  • curzio
    How to draw cross hatching?
    7 years ago
  • micheal mcknight
    Are techniques used for drawing faces different than painting them?
    7 years ago
  • Veli-Matti
    How to draw portrait face step by step by pictures?
    7 years ago
  • rhoda
    How draw the human face using cross hatching?
    1 year ago

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