Drawing Faces From The Side

Side/back lighting

Side And Back Lighting Portraits

Side lighting

Is not suitable for portraiture as it divides the face into two contrasting halves: one lit, one in shadow. Sometimes it can be useful to convey strong relief.

Side lighting

Is not suitable for portraiture as it divides the face into two contrasting halves: one lit, one in shadow. Sometimes it can be useful to convey strong relief.

When drawing a portrait it is very important to consider the direction, quality and intensity of the light falling on the model as it is thanks to light and shadows that we get a sense of the shape and the plastic form of the face. Usually when drawing a portrait artificial light, which is easy to adjust and constant, is preferable to sunlight, which varies highly in intensity and direction. Good lighting must highlight as best as possible the physiognomic characteristics of the subject. Therefore avoid using a light source which is too intense and close. It is better to use slightly diffused lighting, which doesn't create dark shadows, especially under the nose, the lips and the eyes.

The photographic examples on these pages are of a sculpture I moulded and show situations which are slightly unusual or extreme, but are useful to highlight the effects, both positive and negative, of different lighting on the face. The most suitable lighting for a portrait has the source slightly higher than the subject and midway between the front and the side. To make the light more diffused you can place a finely frosted glass in front of the source or use one of the well known photographic devices.

Top lighting

Is very effective but you have to be careful not to create excessively dark shadows under the eyebrows, the nose, and the chin. The surface-grazing light can exaggerate the reliefs and depressions of the skin.

Almost back lighting

Also called 'effect lighting', is not used in portraiture as it makes the model's features hardly recognizable. The backlit image, however, can work for a portrait where the face is in profile.

Side/back lighting

Should not be used for a portrait as it cancels most of the shape of the face. It can be used, however, when the head is in profile. Note, in this example, a device adopted in drawing - the dark part of the head is silhouetted against the light background and the light part against the dark background.

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Lighting from below

Is very 'dramatic' and is hardly ever used in portraiture as it alters the likeness and distorts the characteristics of the face.

Front lighting

Is simple, but flattens the details of the face; it is very suitable, however, for 'linear' and decorative portraits.

Front Lighting Face Drawing

Angled lighting from above, midway between front and side: is the type of lighting most widely used in portraiture as it properly highlights the physiognomic characteristics and effectively conveys the plasticity of the face. These two photographs vary slightly in the inclination and distance of the subject in relation to the light source.

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  • ville-veik
    How to represent light on drawings andfigures?
    2 years ago

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