When it comes to reproducing moving figures, there is always the same problem. How much do you show clearly and how much should the drawing be blurred in some way to make it convey movement? The question may be approached in two ways. You can either hope that your drawing is dynamic enough to hold up as a moving image, even if everything in it is crystal sharp and clear, or you can bring in some distortions and fuzzy edges to give an impression of movement, as if you have taken a photograph with a slow shutter speed.
The first picture shows a dancer suspended in midair, in the middle of a great leap, and it is obvious enough that this pose could only have been captured by a camera. Clearly the figure is not supported by anything except her own impetus.
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