Belonging to a Syndicate

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To succeed as a professional cartoonist, you have to grasp the importance of syndication. You can't make it in newsprint cartoons without belonging to a syndicate. Syndication simply means selling the presentation of cartoons to multiple users. Syndicates represent cartoonists and sell their work to newspapers and magazines. Syndication is every cartoonist's goal, but few really understand what a syndicate is and how it works. For more on syndication, check out Chapter 1.

If you think you have what it takes, you can contact several major syndicates directly for more information:

✓ Artizans: Submissions Editor, Artizans, 11136 - 75A St. NW, Edmonton, Alberta, T5B 2C5, Canada; https://zone.artizans.com.

✓ Cagle Cartoon Syndicate: www.cagle.com.

✓ Creators Syndicate: Creators Syndicate, 5777 W. Century Blvd., Suite

700, Los Angeles, CA 90045; www.creators.com.

✓ King Features Syndicate: Submissions Editor - Comics, King Features Syndicate, 300 W. 57th St., 15th floor, New York, NY 10019; www.king features.com.

✓ Tribune Media Services: TMS Submissions, 435 N. Michigan Ave., Suite

1500, Chicago, IL 60611; www.tmsfeatures.com.

✓ United Media: Comics Editor, United Feature Syndicate/Newspaper Enterprise Association, 200 Madison Ave., New York, NY 10016; www. unitedfeatures.com.

✓ Universal Press Syndicate: John Glynn, Acquisition Editor, Universal Press Syndicate, 1130 Walnut St., Kansas City, MO 64106; www.amuniversal. com/ups.

✓ Washington Post Writers Group: James Hill, Managing Editor, The Washington Post Writers Group, 1150 15th St. NW, 4th floor, Washington, DC 20071-9200; www.postwritersgroup.com.

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