Drawing The Many Uses Of A Line

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Fig.1 Here is a fine example of using rounded female forms to make a youthful face. Full cheeks and rouge lips!

Fig. 2 Great delicacy is displayed in the grip and in the form of these young fingers.

Fig. 3The powerful masculine shoulder and arm are defined by the flattened ovals of muscle.

If we combine all these we should get an ambiguous picture, neither male or female, youthful or mature but with elements of them all.

Fig.1 Here is a fine example of using rounded female forms to make a youthful face. Full cheeks and rouge lips!

Fig. 2 Great delicacy is displayed in the grip and in the form of these young fingers.

Fig. 3The powerful masculine shoulder and arm are defined by the flattened ovals of muscle.

If we combine all these we should get an ambiguous picture, neither male or female, youthful or mature but with elements of them all.

Fig.4Such was the intention of Carravggio in his famous painting of Bacchus. He provides us with a feast of ambiguities and it is an excellent example of how minor variations of form can be altered for effect.

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