There is light and shade on any object on which light falls. There are light, shade, and cast shadows. The light blends into half light which again blends into a halftone, which again blends into a shadow. A cast shadow is the shadow of some object falling on some other object or form and bears a resemblance to the object from which it is cast.
In the parlance of Art the variations of light and shade are in a sense numbered, catalogued and called values. Light, halftone and shade, making three values, are said to be all that one can keep track of. The grading, passing, and mingling of these, through or into one another, gives the suggestion of other values, but they become more subtle and less definable.
There are many methods, mannerisms and approaches to handling light and shade. One is that form is built by light and shade, that the outline does not exist; the edges of the object are given prominence by light and shade. Another approach is that an outline drawing is solidified by light and shade, that the outline itself should suggest depth, volume and bulk with only enough shade to give it solidity.
Values are comparative and depend upon their surroundings.
PLANES ARE FRONT TOP AND SIDES
THE. MASSES OF THE HEAD
WHEN THE. HEAD IS TURNED
ARE REPRESENTED BY PLANES
THE MASSES OF THE HEAD REMAIN THE SAME
THE DIVISIONS OF PLANES ARE THE SAME
HAVE A CONCEPTION
A DECIDED DIFFERENCE
OF A SOLID BODY
"p BETWEEN THE LIGHT AN D SHADE
NO NEAR TOMES
OF EQUAL SIZE Oft INTENSITY
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