I I H Masking

Airbrushing Arts

9 I he sequence for 1 he ose follows tHe same pattern applied to tie leaves, working from tho darkest snac.es, first, foitowod by the 'nediuiri

4 l ie artwork a rawed wlrn maski'ig I !rr anc all lines deeedbing Itio iss«s am ci it into 'he film

5 "he spraying sequence begins «th lennova ol filnr, iron tho leal sartons oh will have the darkest itiane

6 1 ik itedium tones of the leaves aw row sprayed. Mask (sections cut ataig the ¡ires of tie leaf veins are ramavBd In sequence te give iard erlasd area* of to^al gradaiiei i

7 The Ins i parts of the loaves to be sprayed are the lighloi A1

this ¿leye. oil the neakiny on the leaves has been reniovee anc the liyhtet krai ^'aJalierisure executed lieehui id.

10 I lie tonal values and form are 19 from the Lit I1'est petals to those bji t up with the spraying progress ■■ II re loreyround.

3 On completion of the leaves, all mask iq f n 15 removed and a lew nifv.F! is bid over too whOie el Ine aitwork. All imce surround"'-'-; the petals of the iuse ere thei 1 into tno film,

9 I he sequence for 1 he ose follows tHe same pattern applied to tie leaves, working from tho darkest snac.es, first, foitowod by the 'nediuiri

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